The
movie God Grew Tired of Us is a
documentary that portrays the dark situation with Sudan's "Lost Boys"
during the country's civil war. Though this documentary successfully connects
with its audience through the brilliance of the director, it does validates
Fadlalla's opinions and views on media and refugees.
I
must say that this documentary is one of the better documentaries I have seen
in a while, primarily due to the strong employment of emotions and the
resulting connection I felt throughout the film. In fact, I constantly caught
myself clinching my fist when I would hear the personal stories of the many
refugees revealed in the documentary. These refugees not only are displaced
from their homes and personal belongings, but are also stripped of their family
and friends. Primarily, this revelation of the poor conditions of the refugees
is seen with the director's incorporation of interviews with various Sudanese
refugees. Through this, the audience is able to become aware of the poor
conditions these people must live with on a daily basis, including the lack of
food, water, and sense of direction. With these types of living conditions, it
is easy to see why many are "waiting for their graves" while they are
awaiting to be reunited with their previous life.
However,
the most impressive part of the documentary is the integration of comedic
relief. Although these refugees are living in bleak conditions, they still are
able to laugh and have fun with one another, thereby creating long lasting
relationships. Further, the humor exhibited by the refugees when they travel to
America is integral in connecting with the audience. This combination of emotions
of humor and empathy personally allowed me to easily connect with the Sudanese
refugees. As a result, I am even more excited than before to start my volunteer
work at the African Community Center.
Yet,
although this documentary does a great job in staying entertaining,
informative, and emotional, it does fall into the traps that Fadlalla sets
forth in his article. According to Fadlalla, humanitarian discourses legitimize
"a hegemonic neoliberal/neoconservative narrative about rescue and
compassion that render the other visible on claims of charity and compassion
rather than on claims of entitlement and socio-economic rights" (Fadlalla,
79). Essentially, here he explains that humanitarian organization that attempt
to fund for refugees use the skill of emotion to invoke feelings of sympathy
and compassion, something that I have seen to work well in my own life. This
technique is certainly very apparent in the documentary and does help the
director get his point across. However, after reading Fadlalla's article and
reflecting on it, I have realized that though this technique can be helpful to
elicit help, it offers absolutely no solutions to Sudan's civil war. If we can
fix the root of the problem, the refugees would be in much better shape.
